Iowa’s April Surprises

Today, April 27, I feel compelled to share a photo of my spring flowers.

Confused? Well, this shot through our front window, including screen, shows footprints where my husband took off the drenched coverings I put over the flowers yesterday, and added new dry sheets. And an old bathrobe.

Under these lie the flowers I so tenderly planted the other day. And on top…that would be snow.

Oh joy…Iowa weather strikes again!

A friend sent this photo of her yard, with the comment, “I wish I were back in Arizona!”

But we do still have flowers. Our Christmas cactus blossoms in our south window, extra bright against the snowy backdrop of our deck.

 

Yesterday I was planting lavender and mesclun on that deck. This could be depressing. Yep. But it’s happened before, and probably will again.

Our local flower wizard tried to warn me. She DID warn me, but obviously the warning didn’t “take.” ARGH!!

And this leads me to Stan and Twila, hero and heroine of All For the Cause… World War II dragged on and on for them…just when the Allies enjoyed a victory, one enemy or another did, too. It was a long, slow slog, like an Iowa winter. (And I didn’t even endure all of it.)

But winter does end. The war did, too. And in its unfolding, Twila and Stan grew in self-understanding, in skill, in purpose, and in faith.

This week, a loyal fan wrote me such an encouraging note:Your new book has awakened my awareness of how much we are indebted to men and women who have sacrificed so much for the benefit of many.You are a gifted author!

Ah…music to my ears. This is why I write…to awaken awareness…to honor the “Greatest Generation.”

May you enjoy this story.

 

 

 

 

Joy After Noon

I’m welcoming Debra Coleman Jeter by sharing some advance praise for her novel, JOY AFTER NOON

Advance Praise for Joy After Noon

Jeter’s characters and scenery are so vivid and real that I felt I was right there sharing all their hope and fears. So looking forward to the next installment!—Jana Little

Debra Jeter does a beautiful job creating realistic characters whose lives intertwine in an honest and  purposeful way. I found myself still thinking about their stories once the book ended—Katy Owen

Joy After Noondrew me in and my heart ached along with hers as I followed her struggles. I found myself relating to many characters in the novel–cringing sometimes and laughing at others—Tracy Wilbanks

I was instantly drawn into Joy’s story. A beautiful story full of inescapably good characters – you get so pulled into their world that you miss them just as soon as the book is closed.—Paige Boggs

Debra is offering a choice of an e-book or a signed paperback of JOY AFTER NOON to a commenter. With that, take it away, Debra! Oh…

Joy After Noon is the first published novel in my new Sugar Sands series, set in the fictional beach town of Sugar Sands, Alabama. Initially, the idea behind my title, Joy After Noon, was that Joy’s life has been lonely (and joy has been elusive) since her parents died when she was sixteen. She has about given up on finding love when she meets Ray. She comes into his ready-made family and, for a time, this seems like a mistake. However, in the afternoon of her life, she finds love and joy.

When does the afternoon of life begin? Joy is much younger than I am, but she’s never been in a serious romantic relationship before, and she no longer expects one when she meets Ray. She does not consider herself particularly desirable or even attractive, and she’s thrilled that Ray finds her beautiful. Doubts emerge, though, after the honeymoon, and soon she begins to question his real motives in marrying her.

Yet, I think the concept goes deeper than this, and the afternoon of life does not begin at a particular age, or even stage of life. In the novel, Ray has been pursuing career success and material acquisitions, and experiences a significant change of direction. Some fairly disastrous events in his workplace precipitate the change—events that threaten not only his financial stability but the core of who he is.

Carl Jung says: “The afternoon of life is just as full of meaning as the morning; only, its meaning and purpose are different.” Jung goes on to describe life’s afternoon as the time when we begin to shift away from the ego being the dominant force in our life and move toward a journey that has real meaning.

I also like the following quote: In the afternoon of your life, you don’t do life. You do what resonates with the callings of your soul.

Communication and Missed Communication

In We Bought a Zoo, Benjamin Mee (played by Matt Damon) is grieving the death of his wife. At one point he remarks that a love like his for his first wife only comes along once in a lifetime. So we ask,  What would it be like to be the second wife to someone who had loved that deeply?

On the one hand, you might think he’s capable of great love and would make a wonderful husband. On the other, you might fear trying to live up to his expectations. How can you compete with a ghost?

My heroine Joy lacks self-confidence, especially in the domestic realm. Much of the plot hinges on her failure to express her fears and Ray’s failure to articulate his feelings. Like many men, he assumes Joy knows how he feels, and she’s not secure enough to tell him that she needs to hear it from his lips.

Another complication that often arises in second or third marriages lies in the step-parent’s relationship with their spouse’s children. Ray’s stepdaughters resolve to bring Joy down, and for a time their plan seems to be working—until it backfires with dire, unforeseen consequences.

My Process

I usually create an outline of key points in a story—and often even write the key scenes—before commencing to write from the beginning. I departed from this in Joy After Noon, where I started with an idea and some character work, then let the characters take me on their journey. I look forward to hearing from my readers to see if they cheered Joy on along the way.

Purchase Link for JOY AFTER NOON:

https://www.amazon.com/gp/product/B07P7S5Y7Z/ref=dbs_a_def_rwt_bibl_vppi_i2

Contact Debra at:

Autumn Leaves

It’s been co-o-ol-d here, chilly enough to wear several layers, a scarf and gloves. The other day, while walking out of a brisk wind in the fellowship hall of a nearby church, this hand-crafted sign caught my attention: 

What a great play on words, eh? 

The sentiment also describes the mental state of the hero in the manuscript I’m working on right now. It’s the middle of World War II – November 1944, and things have been VERY bad. How could they get worse, with V-2 vengeance weapons killing thousands in London? 

Well…my hero is a thinker, and he can’t imagine worse any more. In fact, he’s become almost numb–so many mass-casualty events, he can scarcely keep up with them. In his policeman’s role, he lives way too close to them. 

Can you imagine how doubts must have crept into these people’s minds as the war slogged on? Always a hope of victory by Christmas, but one Christmas after another had passed, and still, soldiers were sacrificing their lives for the cause. When would this horror end? 

Maybe that’s why this little sign struck home with me. In all seasons of history, autumn leaves have fallen, and most likely, this will continue. Summer, autumn, winter, spring. And in every century new wars have sprung up, nation against nation. The human family never seems to learn. I don’t know how people survive without the constant of a worldview including an unchanging Creator. 

Outside our back door, a few tomatoes still cling to their vines, while most have been picked and frozen or made into sauces or soup. Our daughter’s kitchen smelled SO wonderful today, with two vats of applesauce and apple butter bubbling away…it’s that time of year. 

Whatever the weather in your area (and in your life,) I hope you find time to enjoy some beauty in each day. That’s what my hero is learning to do. 

Obviating 101

Here’s more than you ever wanted to know about one particular verb and its synonyms:

       Obviate derives from the Latin obviare (“to meet or withstand”) and the Latin obviam (“in the way”) and is the origin of our adjective obvious. Obviate has a number of English synonyms, including prevent, preclude, and avert; all of these can mean “to hinder or stop something.” When you prevent or preclude, you put up an insurmountable obstacle. Preclude often implies a degree of chance involved in halting an event. Obviate generally suggests using intelligence or forethought to ward off trouble. Avert implies a bad situation prevented or deflected by effective means.

Midsummer finds us obviating all over the place. Example: our tomato plants, hit by last week’s storm, are now ready for the next one, having been grounded with
reliable (we hope) metal anchors.

Lance also spent a sweaty hour fixing an eave spout about the garage door, so it now drains into a suitable spot.

 

Mundane, everyday actions, but they obviate disasters. Okay, minor disasters. (: Reflecting on many of my actions throughout life as child, wife, mother, and friend, obviation often played a role.

Of course, we can’t avert every undesired occurrence. But this doesn’t stop us from trying. Later in life, we learn these events might have happened to make us–or somebody else–stronger. Oh, the joys of hindsight…

On these slow summer days, I ponder obviation in relation to my novels. What experiences have developed my characters’ strength, self-discipline and motivation?

Most likely tough ones that tested their endurance more than they care to recall. Yep. Just today, my morning teabag presented an applicable quote: Only those who risk going too far can possibly find out how far they can go. T.S. Eliot

      What a freeing concept–wish I’d embraced it long ago.  

The heroines in my own reading take risks…big ones, and so do those in my writing.  Maybe that’s why WWII folks attract me so much, eh?

Country Folk of Another Era

Reading Kristin Hannah’s The Nightingale has given me an even deeper appreciation of the way simple country folks suffered in the early years of World War II.

When we say country, we visualize rural American farm families. But in France in the early 1940’s, thousands of peasants tended their gardens and vineyards, cared for their children, and enjoyed a simple pastoral setting.

Then, suddenly their freedoms were swept away by the brutal Nazi occupation.

What’s interesting is how people came from all walks of life to help the French Resistance change the tide of the war. One of these, from my Women of the Heartland series, hailed from Iowa farm country. Used to the sight of corn and soybeans ripening for harvest, Kate Isaacs is thrust into the midst of unthinkable horrors.

Unthinkable but very real. Her land-centered background serves her well as she treks back woods trails to avoid the Gestapo, delivering vital messages for the Resistance. So does her heritage of valuing hard work and tenacity. You can’t take the country out of a country girl, right?

Admittedly, this “country,” replete with mountains and deep valleys, is different from Kate’s moorings. Along the way, she views incredible structures like the Abbey of St. Pierre at Beaulieu-sur-Dordogne, built in the ninth century. She gasps at this architecture and takes heart at the eternal message of hope engraved in this incredible structure’s entrance.

If you need some more historical fiction to get you through the winter, may I suggest…

 

Catching Up With Daylight -MASSIVE GIVEAWAY!

Welcome to the WhiteFire Publishing Scavenger Hunt! If you’ve just discovered the hunt, be sure to go back to stop #1 and collect all the clues in order. Once you have them all, you’ll have uncovered a secret message. Turn that in at the final stop for a chance to win one of THREE amazing prize packages!

The Hunt begins at Roseanna White’s site

  • Take your time! You have all weekend to complete the Hunt—entries will be counted until Monday June 26—so have fun reading all the posts along the way and getting to know each author
  • Lots of extra prizes! Many of the authors are featuring unique giveaways as well, for even more chances to win!
  • Submit your entry for the grand prizes back at Roseanna White’s blog.

On an evening flight from Des Moines, Iowa to Colorado Springs, the man in the seat behind me quipped, “We’ll be catching up with daylight on this trip.” Voila! The perfect title for my memoir.

A few years later, WhiteFire Publishing issued me a contract for this manuscript, a compilation of essays, quotes, and women’s stories. The process of nurturing this work to publication taught me so much about life, even though I was a late bloomer with my writing.

I learned that memoir borrows some fiction techniques, such as grounding the reader in each new chapter. And of course, the genre requires imagination

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You may be singing your heart out like this little wren in our back yard, but must alert the reader to the whys and wherefores.

 

Memoir relays one’s unique journey, but mine definitely benefitted from editors’ objectivity. In the end, the published books delivered to my door one day gave me deep satisfaction. I believe I may have hugged the Fed Ex man.

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Taking the journey is one thing, but turning your private writing into public writing entirely another, and I’m so grateful WhiteFire gave me the opportunity.

From there, the road has stretched on to writing World War II fiction focused on characters’ journeys. Their joys and sorrows become as real to me as my next door neighbor’s.

But for me, memoir needed to come first – making meaning of my own experiences.  Eudora Welty wrote, “To imagine yourself inside another person…is what a story writer does in every piece of work; it is his first step, and his last too, I suppose.”

Here’s the Stop # 7 Scoop:

You can order my book at: http://amazon.com/author/gailkittleson

Clue to Write Down: imagination

Link to Stop # 8, the Next Stop on the Loop: Joy Palmer

Need the full list of stops?

 

Roseanna M. White

April McGowan

Cara Luecht

Christine Lindsay

Debra Marvin

Dina Sleiman

Gail Kittleson

Joy Palmer

June Foster

Melody Carlson (hosted)

Nelson Hannah

Rachelle Rea Cobb

Sara Goff

Susie Finkbeiner

Susanne Dietze

Suzie Johnson

All finished? Submit Your Entries!

And now, for my own little giveaway! I’m adding a World War II replica flour sack dishtowel to our group giveaway, since that era affected my childhood so much, and therefore plays into Catching Up With Daylight.

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Jot a comment here, perhaps about how memoir has touched you, and leave a LIKE or a smile on my FB author page (if you’ve already LIKED it) to qualify.

 

Feelings….character depth – Shannon Vannatter

Welcome, Shannon, and guests! Here’s something special to commemorate the Heartsong Presents line since it’s ending this month. Comment to enter the drawing for a copy of Rodeo Reunion. Ten copies will be split among names drawn during my blog tour from June 1st – July 1st. One winner will receive a baseball themed memory board personally crafted by the author. Winners will be revealed on the author’s blog on July 22nd.

And now, here’s Shannon with some useful writing tips.

Baseball Memory Board

Feelings, whoa whoa whoa, feelings . . .

Anybody remember that song? Yes, I’m showing my age, but I thought it might grab your attention. The main way I add depth to my characters is through emotions. Feelings bring characters to life. I reveal feelings through reactions, both visceral such a jaw tic and physical such as clenched fists to show anger.

Another great way to reveal feelings is through internal thoughts—the things characters don’t say. So many times I think things I’ll never say. Often because my thoughts are rude, selfish, or too vulnerable to reveal. Characters need to have those thoughts too.

Our feelings, reactions, and internal thoughts are all shaped by our unique backstories. The people who raised us. The people surrounding us as we grew up. The things that happened—good and bad—in our lives. The place we grew up. Life-altering events—it all makes us who we are. Our backstories shape our reactions, emotions, and thoughts.

By basing a character’s feelings, reactions, and internal thoughts on their backstory, everything they feel, think, say, and do rings true. Yes, there are very writerly rules about backstory dumping. If you start the book with everything that happened to your character since birth, the reader won’t get very far.

We have to make the reader care about the character before they will care about what made them the way they are. The best advice I learned on backstory is to sprinkle it lightly like salt. A line or two here. A line there. Just enough to make the character reactions understandable.

Another great piece of advice—reveal your character’s backstory like you reveal your past to a new acquaintance—a little at a time as the relationship deepens. When you first meet, you reveal little, maybe your job, whether you’re married or not, and how many children you have if any. The next time, maybe you talk about your parents and siblings. It takes months to reveal some things about yourself, years for others, and some things you never reveal.

Characters should be the same way. Readers don’t need to know every little thing about them. Just the important stuff that shaped them and only over time as they get deeper into the book and in a deeper relationship with the character.

Here’s a fun way to tackle backstory form the movie, Tangled:

Rapunzel: “So Flynn, where you from?”

Flynn: “Whoa, Blondie, I don’t do backstory. But I am very interested in yours.”

But she doesn’t want to spill either. Later, after practically everybody in the kingdom is chasing them, Flynn fights off guards and a horse, and lots of destruction, they end up in a cave which is slowly flooding. Trapped and thinking they’re going to die, Rapunzel apologizes for getting him into this mess. In a vulnerable moment, Flynn reveals his real name—Eugene Fitzherbert and how he became Flynn Rider, the thief.

Characters don’t necessarily have to be trapped and on the verge of dying to get their backstory out. But their backstory should be revealed slowly as the reader needs to know it and organically to fit the story. Divulge the bulk of it well into the tale—after your reader is rooting for your character.

If every feeling, thought, and reaction the character has is shaped by their backstory, the character leaps off the page, three dimensional, and full of depth.

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Central Arkansas author, Shannon Taylor Vannatter is a stay-at-home mom/pastor’s wife. She lives in a town with a population of around 100, if you count a few cows, and once climbed a mountain wearing gold wedge-heeled sandals which became known as her hiking boots. Vannatter won the Inspirational Readers Choice Award in the short contemporary category, The 18th Annual Heartsong Awards 3rd Favorite New Author and #1 Contemporary Award. 

She has ten published titles and is contracted for five more. Her books are available at christianbook.com, barnesandnoble.com, amazon.com, harlequin.com, and barbourbooks.com. Learn more about Shannon and her books at http://shannonvannatter.com and check out her real life romance blog at http://shannonvannatter.com/blog/.

 

Rodeo Reunion cover

 

Connect with Shannon on Facebook: http://facebook.com/shannontaylorvannatter, Goodreads: https://www.goodreads.com/user/show/29672798-shannon-vannatter, Pinterest: http://www.pinterest.com/stvannatter/, and Twitter: @stvauthor.

Rodeo Reunion: RAQUEL MARRIS NEEDS A MAN WHO’LL STAY PUT 

And Slade Walker’s not a likely candidate. Even if the former major league pitcher just agreed to coach her son’s little league team. The single mom can’t risk everything on a bronc-riding chaplain who’s only passing through Raquel’s small Texas town.

Slade is taking a hiatus from the rodeo circuit to meet the sister he never knew he had. But the pretty widowed nurse next door is making him think twice about hitting the road again. He can’t turn his back on the cowboys who need him, but Raquel and her boy need him, too. Can Slade fulfill his calling and finally find a place to hang his hat?

 

Purchase Links:

 

http://www.christianbook.com/rodeo-reunion-shannon-vannatter/9780373487851/pd/487851?event=ESRCG

 

http://www.amazon.com/Reunion-Heartsong-Presents-Shannon-Vannatter/dp/0373487851/ref=sr_1_5?s=books&ie=UTF8&qid=1431697907&sr=1-5&keywords=Shannon+Taylor+Vannatter

 

WAIT FOR ME, Jo Huddleston

Our guest, Jo Huddleston, is a multi-published author of books, articles, and short stories. Her debut novels in the Caney Creek Series and her latest book, Wait for Me are sweet Southern romances. She is a member of ACFW, the Literary Hall of Fame at Lincoln Memorial University (TN), and holds a M.Ed. degree from Mississippi State University. Jo lives in the U.S. Southeast with her husband, near their two grown children and four grandchildren. Visit Jo at www.johuddleston.com.

WAIT FOR ME finalFollowing is an Jo’s interview with a character from her novel. Wait for Me 

I’m in Coaltown, West Virginia meeting with  Claude Capshaw.

Hello. Are you the owner of Capshaw coal mine #7?

Hey, there. Yes, I’ve owned this mine for about a year.

Mr. Capshaw, do you own other coal mines as well?

Please call me Claude. And, yes,  I’ve bought coal mines in Kentucky, Virginia, and West Virginia. This mine here in Coaltown is my latest purchase.

Do you always live in the community where your coal mine is located?

That’s right. I need to be close to the miners when I buy a new coal mine. They need see me around and come to know me as the fair, honest man that I am. My wife, Lillian, doesn’t much like it when we move to a new coal community. In fact, she doesn’t like living anywhere near a coal mine and is a little standoffish, she doesn’t mix well with the miners and their families.

Claude, do you have children? How do they like living here?

We have a beautiful daughter, Julia. I think Julia likes it okay here. Her mother gives her a hard time about spending time with the miners’ kids and forbids her to socialize, especially the boys.

Why do you think that is?

Well, my wife isn’t much like my little girl and me. Julia and I can mix with the people here. But I know it’s hard on Julia when her mother wants her to stay apart from the other kids. Julia’s a normal high school senior, she wants to have friends, and she’s torn between what she wants and what her mother demands. I try to encourage Julia all I can.

How do you do that?

There’s a boy in her class she likes—Roberto. He works after school every day in my company store. He’s a good kid. I don’t criticize Julia or tell her mother when I see them talking. Like I said, Julia needs to have her friends. She’ll be leaving in September to enroll at West Virginia University. I’m in agreement with her mother about that—it’s important that Julia get a good education.

But I think my wife’s only purpose in sending her to the university is so she will be in better social circles up there. Her mother thinks Julia needs to meet more suitable and acceptable young men than those here in the mining community. I just hope her strict rules and plans for Julia don’t backfire and cause Julia to become disobedient. My little girl is a sweet child, but she has spunk. I just hope her mother doesn’t push her too hard or too far.

JO PK full  Jo is offering a free eBook for Kindle copy of her book to one commenter on this  post.

Here is the purchase link for Wait For Me: http://tiny.cc/bhigxx

 

 

 

Website www.johuddleston.com

Blog http://www.johuddleston.com

Blog http://lifelinesnow.blogspot.com

Facebook https://www.facebook.com/joshuddleston

Goodreads https://www.goodreads.com/author/show/1615694.Jo_Huddleston

Purchase eBook for Kindle and print copies of Wait for Me at: http://tiny.cc/xndfwx

Here’s the back cover from Wait For Me.

Can Julie, an only child raised with privilege and groomed for high society, and Robby, a coal miner’s son, escape their socioeconomic backgrounds? In a  1950’s West Virginia coal mining community, can their love survive their cultural boundaries?

This is a tragically beautiful story of a simple, yet deep love between two soul mates, Robby and Julie. The American South’s rigid caste system and her mother demand that Julie marry an ambitious young man from a prominent family. Julie counters her mother’s stringent social rules with deception in order to keep Robby in her life. Can the couple break the shackles of polite society and spend their lives together? Will Julie’s mother ever accept Robby?

Characterization in a Single Title/Mainstream Romance by Liz Flaherty

You’ll enjoy Liz. Sit back and relax. 

I’m afraid, now that I said I’d do this article, that I’ve agreed under false pretenses, so let me start it with a duh-generating caveat. I have completed three single title books: a historical romance, a contemporary romance, and one that’s not hardly a romance at all. As of this writing, none of them are sold. That’s the “duh” part—you know, what makes me qualified to write this?

Well, number one, I’m a warm body with a keyboard. Number two, I LOVE characterization. Number three, even though I have enough rejections and editorial maybes under my belt to re-tree a forest, no one has ever rejected or editorially maybe-ed my characters.

It’s the easiest, laziest part of writing fiction, and doing it in single title/mainstream is just exactly like doing it in short/category except it’s…uh…even easier and lazier.

If you’re like me, your characters drive your story. Plot is incidental; it’s just what happens to those people. If you take away your characters—gosh, I hate calling them that; they’re people—the story no longer exists, because it’s not going to be the same story with others as its protagonists and secondary characters.

Oh, my goodness, have I just said something important? Well, that depends. If you write character-driven, you just said “duh.” However, if you’re a plot-driven writer, you probably said, “What is she talking about?”

Have you read any of Janet Ivanovich’s Stephanie Plum mystery series, starting with One for the Money? If you have, you know Stephanie’s a smart-talking “Joizy” girl with a hilarious grandmother and a cousin for every crime. If, on the other hand, you’ve read any of Lawrence Sanders’ Archie McNally series, you know Archie’s a rich guy in his 30s who still lives at home and drives a sharp little red Mazerati.

         They’re both young, attractive, witty, and charming. They both have families whose eccentricities add humor and depth to their stories. They both solve mysteries and murders, all the while creating more mayhem for next time. Gender aside, are they interchangeable?

Nope.

And that, my friends, is single-title / mainstream characterization.

Okay, we all know that we develop our people by giving them individual traits. In a category romance, our heroine may be a little clumsy, a chocoholic, or shy. Something terrible may have even happened to her, a long time ago. Our hero might be a channel surfer, or he might drive too fast, or he may suffer flashbacks of a war fought in a Third World country a long time ago. But any failings they have will be either minor ones that don’t seriously affect the story or they will be in their distant past. This is not because the author doesn’t want to deal with them but because category romances aren’t long enough.

Single title romances are, so all your people’s character traits—or flaws—can affect the story any way you want them to. And if you want that hero to be just six hours home from that war or that heroine to be just three days past the loss of a child, that’s fine, because you have room in single title to address their pain.

And that, my friends . . . oops, repeating myself, aren’t I?

And there’s another part of characterization. If a character starts out with a slightly twitching right eye or a dimple in her left cheek, make sure she keeps it or gets it fixed within the story. If he speaks in a dialect, make sure not to insert enough of it to get annoying, but don’t forget it altogether, or your readers will “hear” your first-generation Irishman speaking with Midwestern nasality. Repeat yourself—just not a lot.

Before I end this, let me add one thought that is purely subjective, speaking from strictly one reader’s point of view, that reader being me. I hate perfect characters. Just as I’m not interested in knowing any in real life, I’m not interested in reading about them, either, because there’s nothing there to identify with.

         Happy writing.

***

Liz Flaherty admits, only semi-apologetically, that she wrote this article a long time ago. In the time since then, those manuscripts she mentioned in the first paragraph—along with numerous others—have been sold and published. (She is unbecomingly proud of this, so don’t ask her too many questions—she’ll answer them.)

You can Google her name, or you can go to all the on-line bookstores if you’d like to read one (or nine) of her books. You can also visit her at www.lizflaherty.com or at http://wordwranglers.blogspot.com/ where she blogs every Monday. If you ever just feel like talking, drop an email to lizkflaherty@gmail.com.

 

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